Coffin Hop / History / Horror / Psychological Horror / Psychology

Carrying On the Coffin Hop

Oh, good, you all survived the night! I mean, it’s not that I thought you wouldn’t, just… well. Let’s move on, shall we?

Yesterday I asked you all to listen to a song and look at some pictures, then tell me what you thought. The replies weren’t very numerous, which I can understand, since I asked for actual effort (the nerve of me!). That said, the replies I did get were fantastically spooky! Well done, all. The implied guess as to the nature of the building was correct–the building pictured is one I’ve photographed myself (though I didn’t take the pictures I posted yesterday; those came largely from this blog, and I take no credit). It’s had many names, but the most imposing of them is Rockwood Asylum. It’s located in Kingston, Ontario, Canada, a city which is also home to over half a dozen federal correctional facilities (aka, prisons).

It was originally built over the course of eleven years, from 1859 to 1870, after it was decided that the nearby Kingston Penitentiary (now, sadly, closed–if you’re Canadian you no doubt remember the news kerfuffle that went on) was absolutely overrun. To save on costs, the prisoners themselves were enlisted to build the building that still sits on the shores of Lake Ontario, based on the second set of plans that was commissioned–the first, believe it or not, was deemed too regressive and prison-like. The second, though, despite the cold, severe, sense we take away from it now… well, for whatever reason, they were approved, after having been commissioned by none other than Sir John A. Macdonald, later known as one of the Fathers of Confederation. The tales of what went on there are as terrifying as any story that predates our own knowledge on a topic: Patients wore rough canvas uniforms with the word “LUNATIC” across the back; the goal being to calm them rather than rehabilitate them, they were frequently bled or medicated (with everything from chloral hydrate to your average variety alcohol). It’s even said that some of the first neurosurgical procedures may have been performed at Rockwood. Over the course of its service, the asylum housed not only convicts, but also any other Kingston residents deemed mentally unstable: this included anything from lepers to promiscuous women.

Gradually, however, (and thankfully), understanding of mental illness improved, and the need for the asylum lessened. In 1959, after a century of service, the inmates were transferred to newer buildings on the grounds (the original building, may I add, are located so far from the street so as to be invisible unless you know it’s there), and the asylum became known as the Penrose Building, a home for people with disabilities. It served in this capacity for some time and under different names for some time until it was finally closed in 2000. Since then, it has sat empty, the chain link fence around it all but daring the reckless or the curious to break in.

Many have. Not myself, though, and this is something I very nearly regret. No, after it was mentioned by my college professor (did I mention I studied behavioural science at a college a stone’s throw from the former asylum? Yeah, not creepy at all…), I decided to go see it one night when residence was particularly noisy. I took my camera with me, and I came away with some interesting pictures and a definite foreboding vibe. I leave you tonight with some of those pictures, and my own little drabble of a psychologically horrifying nature, possibly familiar to some of you if you saw this blog over the summer when I originally posted it. (Hey, it’s still scary!) 

Nora woke in total darkness, her heart hammering and breath short. She couldn’t hear those cues of panic, her body’s fight or flight response kicking into life; what she heard was the sound of someone rolling over down the hall, incoherent gibberish mumbled from the depths of sleep, and loudest of all, the grandfather clock downstairs welcoming the new hour in its deep, bone-penetrating baritone.

Staring across the room at the gleaming pair of silver eyes hovering above her dresser, Nora counted out how many times the bell in the clock tolled, the noise booming through the sleeping house, reverberating through her, and settling forever in her head as the sound of madness.

Three resonant calls and the clock was silent. As the last bell’s call faded into a drone that reminded her of church choirs singing a dirge, the eyes tilted ever so slightly, as though their owner had angled their head in interest.

Nora had never been awake at three in the morning before. Not once. She had been raised within her gran’s superstitions, so firmly believed in they were as much fact as the history dates or arithmetic Nora, her sister, and their cousin Emily had learned in school. On the one occasion she’d woken, while staying at her gran’s, for a glass of water a half hour shy of three, her gran had hurried downstairs in her housecoat, the sides billowing open as Nuala chivvied Nora back to bed.

“You don’t want to be awake at that hour, girleen,” she could still hear her gran’s taut voice saying. “That’s the witching hour, and you’d best be asleep for it or doing a damned fine job of pretending y’are if ye don’t want to be taken away, d’ye hear me?”

Even though Nuala had been dead nearly fifteen years, her beliefs had stuck through Nora’s childhood and carried over to the adult woman. She was always home and in bed by three, and if ever she’d woken and seen the clock near three, she rolled over and scrunched her eyes shut, faking sleep until it actually came.

That wouldn’t work this time, she knew. She had a debt to pay, and as the many-voiced chant of the witching hour took up where the clock had left off, she was wide awake.

Time, time, time, time. Your time, time, time, time.

Mind, mind, mind, mind. Your mind, mind, mind, mind.

Fine, fine, fine, fine. So fine, fine, fine, fine.

Mine, mine, mine, mine. All mine, mine, mine, mine.

Give us your mind, mind, mind, mind.

Don’t make a sound, sound, sound, sound.

Fingers reached out of the darkness of the smothered room: grey and knotted, with a mole on one knuckle that sprouted hairs, and filthy, sharp, yellowed nails. The hand followed, palm down, as gnarled and ugly as the fingers. Finally the thin, bony wrist emerged from the shadows and turned until the calloused palm faced upward.

The fingers beckoned.

It had been slow until then, a gradual decaying of her life to date and how she had defined herself thus far. Now she could feel the approach of it whistling at her like a killing, subzero wind. The little battles she had lost, like unimpeded speech abilities and control over strange muscle tics, were nothing in the face of this. This was being immobilized as her identity and humanity being stripped away bit by bit by shadows she couldn’t see no matter how wide she opened her eyes, her sense of self coming unravelled like a poorly knitted sweater, everything she had been, was now, or ever could have been cut away from her, down to her identification of herself as human.

She opened her mouth to scream and instead heard that damned chorus of voices again:

Scream, scream, scream, scream. Why scream, scream, scream, scream? Hear, hear, hear, hear. No one to hear, hear, hear, hear. Here, here, here, here. Come here, here, here, here.

Desperate now, she screamed despite the taunts, in a raw voice that sounded as though she’d actually been screaming since her birthday, more than eight months before in November. The Unseelie had waited until the seventh month to collect.

She never knew if it was her own scream or the laugh it drew from the shadows that fragmented something in her, created a fissure in the defense she had attempted to build for herself through which flooded the shadows and all their cold and dark and inhuman, soul-shattering howling with them.

Her family found her that way the next morning, catatonic in her bed, naked and arching her hips from the bed in a gruesome mimicry of release, lips drawn back in a feral snarl, eyes open and glassy like the work of a taxidermist, hands clutching at the sheets so fiercely the fabric had torn under the grip of her unnaturally elongated toenails.

At the first tentative touch of a human hand, Nora had broken her mother’s arm and leaped off the bed in one graceful move. Before she could be restrained she kicked her little sister down a flight of stairs and did her best to strangle her father, all while what small scrap of herself that continued to fight screamed endlessly in the back of her mind, in discordant harmony with the shadows.

For three years she would scream like that without cease, and always with the voice in the shell of what had once been her mind reminding her there was no one to hear, hear, hear, hear.

Still she screamed, screamed, screamed, screamed, without ever making a sound, sound, sound, sound.

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By the time the sun fell, I wasn't sorry to see the back of this place. Would you stay?

By the time the sun fell, I wasn’t sorry to see the back of this place. Would you stay?


15 thoughts on “Carrying On the Coffin Hop

  1. Jeez, nothing like an abandoned asylum to work one’s imagination. And in Halloween!! I don’t really have the nerve to go into these kinds of buildings, but I LOVE to hear stories from those braver than me. Thanks for sharing!

    • Bwahahaha! No problem! I didn’t actually go in, mind you, but it was interesting to check out. ^__^ Hope you had a good Coffin Hop!

    • Yes, I wrote kerfuffle. XD The Penitentiary is on King Street, away from downtown. It’s right on the shores of Lake Ontario.

      Thanks for stopping by, Amy!! And y’know, managing to creep out a bunch of horror writers always makes me feel accomplished. XD

    • It’s all the limestone, right? I went on a haunted walk there. Walked through a random shortcut alley that I was never able to find again!

      Thanks for stopping by, happy hopping!

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